| [From our deconstruction of hundreds of
| |
| | infinite number of varied stories to be
|
| Hollywood blockbusters and sitcoms at
| |
| | created.and more...The Hero's Journey:
|
| and our isolation and identification of
| |
| | Tin Men (1987) deconstructed [basic]FADE
|
| more than 188 stages of the Hero's
| |
| | IN: 50's cars; the 50's.Meeting the Hero:
|
| Journey that you need to know
| |
| | BB in the showroom.Hero's Ordinary World:
|
| about...]The Hero's Journey is the
| |
| | distracted by talk about chicks.Meeting
|
| template upon which the vast majority of
| |
| | antihero in his Ordinary World: Tilley
|
| successful stories and Hollywood
| |
| | arguing with his wife, at home.Hero's
|
| blockbusters are based upon. In fact, ALL
| |
| | Professional World: he knows all the
|
| of the Hollywood movies we have
| |
| | sales tricks.Developing antihero: Tilley
|
| deconstructed are based on this
| |
| | walks out on his wife.Developing Hero: BB
|
| template.Understanding this template is a
| |
| | gets an overnight if the car breaks
|
| priority for story or screenwriters.The
| |
| | down.Inciting Incident: Tilley crashes
|
| Hero's Journey:a) Attempts to tap into
| |
| | into BB; they argue.Call to Adventure:
|
| unconscious expectations the audience has
| |
| | I'm gonna get even with you.Hero's
|
| regarding what a story is and how it
| |
| | Professional World: BB walks into the
|
| should be told.b) Gives the writer more
| |
| | office.Meeting the Loyal Ally: Mo playing
|
| structural elements than simply three or
| |
| | cards with the boys.Hero and Loyal Ally
|
| four acts, plot points, mid point and so
| |
| | interaction: BB tells Mo and the boys
|
| on.c) Interpreted metaphorically,
| |
| | he's already smashed the car.Conscious
|
| laterally and symbolically, allows an
| |
| | Decision: I'm gonna get this guy.
|
